30309: Blanchet (news) Haitian sculptors are a big hit with English audiences (fwd)

[Bob Corbett <corbetre@webster.edu>]

From: Max Blanchet <maxblanchet@worldnet.att.net>

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*AlterPresse, Reseau alternatif haitien d'information *
*Haitian sculptors are a big hit with English audiences *
*5 avril 2007*

*By Charles Arthur*

London, 5 Apr. 07 [AlterPresse] --- Three artists from the Haitian capital, 
Port-au-Prince, have been making a big impact during a month-long visit to 
England. Jean Hérald Celeur, André Eugène, and Frantz Jacques Guyodo - known 
collectively as the ’Sculptors of Grand Rue’ - have thrilled audiences with 
their dramatic creations assembled from rusted vehicle chassis, car tyres, 
steering wheels, oil filters, brake drums, and other discarded items, 
AlterPresse observed.

The Sculptors of Grand Rue (a street that runs through the centre of downtown 
Port-au-Prince) were originally invited to England to help launch their massive 
’Freedom Sculpture’, a work commissioned by the Museum of Liverpool and the 
British development organisation, Christian Aid, to mark the 200th anniversary 
of the abolition of the slave trade in the UK.

The launch took place of 26th February but then, when the British solidarity 
organisation, the Haiti Support Group, provided some funding and found some 
additional funding from other sources, they decided to stay on in London for a 
few more weeks. The Haiti Support Group’s Leah Gordon provided them with 
accommodation and found them a temporary workshop in east London. There the 
sculptors created new works from discarded items found in the streets nearby.

They also shared ideas with a number of internationally-respected artists also 
working on the same studios, including Cat Barich and Tania Stanic who this 
summer are due to show at Documenta - one of the world‘s most important 
exhibitions of modern and contemporary art which takes place every five years 
in Germany. "The best memory that we take back with us is of all the friendly 
British artists and musicians who we have met and worked with here", said André 
Eugène.

The new creations assembled at the Hackney Wick studios – together with some 
smaller pieces that they brought with them from Haiti – went on display for two 
weeks at the end of March at Hoxton’s trendy bar and gallery space, The 
Foundry. The exhibition space was offered to them after the centre’s joint 
owners, Jonathan and Tracey Moberly, had read an article and seen photos of the 
sculptors’ work in the monthly arts magazine, Dazed & Confused.

During the show at The Foundry the artists took part in a performance of 
drumming to commemorate the abolition of the slave trade in Britain, and spoke 
at length on The Foundry’s own radio programme on Resonance FM. Tracey Moberly 
said, "It was splendid and symbolic to be marking the abolition of the slave 
trade by exhibiting Haitian artists, and the atmosphere was particularly 
electric on the day and the evening of the 25th March when the artists and 
their friends performed Vodou drumming."

She added, "The Foundry looked fantastic because the artists, as well as 
showing their sculptures inside, had decorated the outside of the building with 
sculptures and paintings. The building’s exterior was photographed by everyone 
that passed by. By hosting this exhibition we are hoping to dispel the negative 
myths surrounding Haiti and it’s religion, Vodou."

At a Haiti Support Group reception for the sculptors at Four Corners arts 
centre in Bethnal Green, a full house watched a UK-premiere screening of the 
short film about them – ‘E.Pluribus Unum’ directed by Maxence Denis – and later 
quizzed the artists about their work and experiences in Haiti.

There was also a very positive audience response when the sculptors showed the 
same film and participated in ’Illusions of Disempowerment’ - a six-day 
festival of documentary films and talks on activism from the Global South, 
organised by the Solidarity Not Charity organisation.

The sculptors were also invited to give a talk and show their film to masters 
degree students studying film arts at the Chelsea Arts College, one of the most 
prestigious institutions of its kind in Britain. There was a considerable 
turnout of students to see the film and take part in a question and answer 
session afterwards. Later, the students showed the artists around their 
studios. Jean Hérald Celeur remarked, "We have no real arts facilities like 
this in Haiti."

The artists themselves also took in a lot of the culture and art on offer in 
England. They found time to visit the Tates Modern, Britain and Liverpool ; the 
Hayward ; the British Museum, and many of the new contemporary galleries in 
London’s East End. "I am so surprised," said Guyodo, "There are no galleries in 
Haiti that would take a risk and exhibit work of this kind."

Reflecting on the visit, Leah Gordon said, "This has been a great chance for 
the cross-fertilisation of ideas about art and creation - many artists and 
students have been quite intensely inspired by their work and culture, and I 
feel that the scupltors have benefited from their unique snapshot of the 
British arts scene."

Gordon added, "Gone are the days when we can want - or expect - Haitian artists 
to be ’naïve outsiders’. It’s important that all artists experience a wide 
spectrum of artistic influences."

The impact of the ’Sculptors of Grand Rue’ will continue to be felt around the 
country as their ‘Freedom Sculpture’ – a mass of burnt-metal bodies, arms and 
hands - will be going on show in various locations before returning to 
Liverpool where it will remain on permanent display in the new International 
Slavery Museum that opens on 23rd August.

David Fleming, director of National Museums Liverpool, said "This remarkable 
sculpture is an important work of art in its own right, but it also symbolises 
the links between the historic transatlantic slave trade and contemporary 
issues of freedom, enslavement and global inequalities. It is fitting that its 
permanent home will be in the International Slavery Museum, due to open on the 
anniversary of the revolution which created Haiti, the world’s first 
independent black republic." [ca gp apr 05/04/2007 00:30]


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