BELOW YOU WILL FIND INFORMATION ON:
The literature selected for this course comes from a set of fiction which has more than normal philosophical content. Having philosophical content is certainly not a necessary requirement of decent literature, but it does exist. This is NOT a course in the philosophy OF literature. Rather, our task will be to use the analytic tools of philosophy to clarify and develop the philosophical content of the fiction we are reading.
The hope is both to sharpen our skills in the philosophical analysis of literature and to come to a deeper appreciation of the philosophical issues which are embedded in each work we will read.
There is no particular philosophical perspective needed to do this, no will one be pushed or studied in class. However, since I do have such a perspective myself I will develop this a bit in an addition which you many find by clicking here. This is not mandatory reading, but I recommend it to you. It will help you to get some sense of how I personally approach this task.
We will read:
Specific course requirements will be:
Grading: While I will grade each individual assignment, the grade of the course will not be merely the sum of the individual grades. Rather, I will take into account an overall sense of quality in the general tone of one's work. However, the sum of one's individual grades will certainly be a strong indication of where one stands. In a rough sense the assigments will be valued in this fashion:
Two important additional notes:
Basically the point is: there are time deadlines. Stay with them.
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Date | General topics | Class | Readings, assignments and expectations |
Aug. 21 | General introduction. Reading of Amy Lowell poem at end. | 1 | |
Aug. 23 | Discussion of Ilsa Achinger's THE BOUND MAN | 2 | Read Amy Lowell poem and prepare for class discussion of issues raised by the poem. |
Aug. 30 | Discussion of Ilsa Achinger's THE BOUND MAN | 3 | Read Ilsa Achinger's THE BOUND MAN. Prepare for class discussion of issues raised by the story.. |
Sept. 6 | Discussion of Chinua Achebe: THINGS FALL APART. See Corbett's web site for a guide to sources on Achebe and comments by Corbett on the novel. | 5 | Read Chinua Achege: THINGS FALL APART. First oral presentation by Marisa Leong. All students write and hand in the first summary/analysis paper.. |
Sept. 11 | Discussion of Chinua Achebe: THINGS FALL APART | 6 | Discussion of the Achebe novel. Second oral presentation by Eric McCracken. |
Sept. 13 | Discussion of Chinua Achebe: THINGS FALL APART | 7 | Discussion of the Achebe novel. |
Sept. 18 | Discussion of Chinua Achebe: THINGS FALL APART | 8 | Discussion of the Achebe novel. |
Sept. 20 | Discussion of Elfriede Jelinek: WONDERFUL WONDERFUL TIMES | 9 | Read Elfriede Jelinek: WONDERFUL WONDERFUL TIMES Third oral presentation by Brian Jones. All students write and hand in the second summary/analysis paper.. |
Sept. 25 | Discussion of Elfriede Jelinek: WONDERFUL WONDERFUL TIMES | 10 | Discussion of the Jelinek novel. Fourth oral presentation by Kyle Mayer. |
Sept. 27 | Discussion of Elfriede Jelinek: WONDERFUL WONDERFUL TIMES | 11 | Discussion of the Jelinek novel. |
Oct. 2 | Discussion of Elfriede Jelinek: WONDERFUL WONDERFUL TIMES | 12 | Discussion of the Jelinek novel. |
Oct. 4 | This is the day for the Webster Works Worldwide6 | 13 | I will hold class today, however, I will not take attendance. Students are responsible for any material discussed and used on mid-term exam. |
Oct. 4 | Discussion of Heinrich Boll: THE CLOWN | 13 | Read Heinrich Boll: THE CLOWN: Fifth oral presentation by Bob Galloway. |
Oct. 9 | Discussion of Heinrich Boll: THE CLOWN | 14 | Discussion of the Boll novel. Sixth oral presentation Brian Jones. |
Oct. 11 | Discussion of Heinrich Boll: THE CLOWN | 15 | Discussion of the Boll novel. |
Oct. 12 | Mid-term examination | 16 | Mid-term examination |
Oct. 16 -20 | FALL BREAK: NO CLASSES | FALL BREAK: NO CLASSES | |
Oct. 23 | Discussion of Jose Saramago: THE STONE RAFT | 17 | Read Jose Saramago: THE STONE RAFT. Seventh oral presentation by Bob Galloway. All students write and hand in the third summary/analysis paper.. |
Oct. 25 | Discussion of Jose Saramago: THE STONE RAFT | 18 | Discussion of the Saramago novel. Eighth oral presentation by Eric McCracken. |
Oct. 30 | Discussion of Jose Saramago: THE STONE RAFT | 19 | Discussion of the Saramago novel. |
Nov. 1 | Discussion of Jose Saramago: THE STONE RAFT | 20 | Discussion of the Saramago novel. |
Nov. 6 | Discussion of Jose Saramago: THE STONE RAFT | 21 | Discussion of the Saramago novel. |
Nov. 8 | Discussion of Bernard Schlink: THE READER | 22 | Read Bernard Schlink: THE READER. Ninth oral presentation by Kyle Mayer. All students write and hand in the fourth summary/analysis paper.. |
Nov. 13 | Discussion of Bernard Schlink: THE READER | 23 | Discussion of the Schlink novel. |
Nov. 15 | Discussion of Bernard Schlink: THE READER | 24 | Discussion of the Schlinkl novel. |
Nov. 20 | Discussion of Bernard Schlink: THE READER | 25 | Discussion of the Schlinkl novel. |
Nov. 22 | Discussion of Milan Kundera The Unbearable Lightness of Being | 26 | Read Milan Kundera: THE UNBEARABLE LIGHTNESS OF BEING. Tenth oral presentation by Marisa Leong. All students write and hand in the fifth summary/analysis paper.. |
Nov. 27 | Discussion of Milan Kundera The Unbearable Lightness of Being | 27 | Discussion of the Kundera novel. |
Nov. 29 | Discussion of Milan Kundera The Unbearable Lightness of Being | 28 | Discussion of the Kundera novel. |
Dec. 4 | Discussion of Milan Kundera The Unbearable Lightness of Being | 29 | Discussion of the Kundera novel. |
Dec. 6 | Discussion of Milan Kundera The Unbearable Lightness of Being | 30 | Discussion of the Kundera novel. |
Dec. 11 or 13 | Final Examination | 31 | Final Examination |
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Bob Corbett corbetre@webster.edu