By relating Molly's story from the point of view of a boy, rather than Molly herself, Horovitz avoids the finger-wagging didacticism and noble victimization that sap many stories about transparently wrong behavior. Such deeds are all the more objectionable in the steadfastly ordinary ambiance established by set designer Dunsi Dai...
By Judith Newmark, St. Louis Dispatch

-- UNEXPECTED TENDERNESS
New Jewish Theatre